By Dylan A. T. Miner
Using the concept that lowriding is an Indigenous approach of being on the planet, artist and historian Dylan A. T. Miner discusses the a number of roles that Aztlán has performed at numerous moments in time, from the pre-Cuauhtemoc codices via either Spanish and American colonial regimes, prior the Chicano circulate and into the current day. throughout this “migration story,” Miner demanding situations notions of mestizaje and asserts Aztlán, as visualized via Xicano artists, as a kind of Indigenous sovereignty.
Throughout this ebook, Miner employs Indigenous and local American methodologies to teach that Chicano artwork has to be understood within the context of Indigenous heritage, anticolonial fight, and local American stories. Miner will pay specific recognition to artwork outdoor the U.S. Southwest and comprises discussions of labor by way of Nora Chapa Mendoza, Gilbert "Magú" Luján, Santa Barraza, Malaquías Montoya, Carlos Cortéz Koyokuikatl, Favianna Rodríguez, and Dignidad Rebelde, along with Melanie Cervantes and Jesús Barraza.
With 16 pages of colour photos, this booklet should be an important to these attracted to paintings background, anthropology, philosophy, and Chicano and local American experiences. Creating Aztlán interrogates the historical and critical function that Aztlán performs in Chicano and Indigenous paintings and culture.
Read or Download Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (First Peoples: New Directions in Indigenous Studies) PDF
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Extra info for Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (First Peoples: New Directions in Indigenous Studies)
Creating Aztlán: Chicano Art, Indigenous Sovereignty, and Lowriding Across Turtle Island (First Peoples: New Directions in Indigenous Studies) by Dylan A. T. Miner